Archive for the ‘South Carolina’ Category

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Band of Horses- Cease To Begin

December 5, 2007

Cease To Begin

Band of Horses
Cease To Begin
October 9th 2007
Sub Pop Record

Band of Horses might be compared to the bizarro countryesque version of The Beach Boys, and lead singer Ben Bridwell might be accused of washing his vocals with 200 gallons of reverb in an attempt to perfect the recording technique used by My Morning Jacket vocalist Jim James. I say why argue about semantics on this one. Sure there is a mid-seventies pop-rock quality, but the fact of the matter is that Band of Horses wins on this release. Cease To Begin, the follow up to 2006’s Everything All The Time, achieves greatness, in spite of the departure of guitarist Mat Brooke. It is what it is. Critiqued in context, Band of Horses is an easy love affair. They are a good rock and roll band with a romantic spirit and an innocent demeanor.

While Is There A Ghost might best exemplify the stylistic energy created by the band’s music, other tracks like No One’s Gonna Love You (More Than I Do) relate so well to our experiences as imperfect people that it results in a feeling of shared understanding. The first half of Cease To Begin tends to be faster paced with a more solid guitar presence, but it concludes with tender and intimate ballads like Marry Song and Window Blues, which retire the record into quietude. It lulls the audience as the music plays, leaving them content and satisfied.

In comparison with Band of Horses’ debut, Cease To Begin seems to further emphasize the bands southern roots. Band of Horses manages to be a little twangy without the trite themes and purposeless lyrics that so often accompany even the most independent and alternative renovations of country music. Bridwell’s lyrics are smart, they are meaningful, and they augment the radiant melodies that structure every song. Cease To Begin is a sorely needed dose of feel-good rock and roll. Improving on the last, Band of Horses‘ new effort by far exceeds expectations.

7/9

http://www.bandofhorses.com
http://www.myspace.com/bandofhorses

Other Music
Band of Horses EP- 2005
Everything All the Time- 2006
Cease to Begin- 2007

US Tour Dates
12/28 – Atlanta, GA – The Earl
12/29 – Atlanta, GA – The Earl
12/31 – Atlanta, GA – The Earl
01/20 – Charleston, SC – Music Farm
01/21 – Norfolk, VA – The Norva
01/22 – Philadelphia, PA – The Fillmore At The TLA
01/23 – Boston, MA – Paradise Rock Club
01/24 – State College, PA – State Theatre
01/25 – Cleveland, OH – Beachland Ballroom
01/26 – Louisville, KY – Headliner’s Music Hall
01/27 – Newport, KY – Southgate House
01/29 – Nashville, TN – Exit/In
01/30 – Memphis, TN – Hi Tone Cafe
01/31 – St. Louis, MO – Gargoyle
02/01 – Norman, OK – Meacham Auditorium (U Of Oklahoma)
02/02 – Dallas, TX – Palladium Ballroom
02/03 – Austin, TX – La Zona Rosa
02/04 – Baton Rouge, LA – Spanish Moon
02/06 – Birmingham, AL – Bottle Tree
02/07 – Tallahassee, FL – Beta Bar
02/09 – Orlando, FL – Social
02/10 – Orlando, FL – Social
02/12 – Mt. Pleasant, SC – Village Tavern

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Iron & Wine- The Shepherd’s Dog

November 26, 2007

The Shepherd’s Dog

Iron & Wine
The Shepherd’s Dog
September 25th 2007
Sub Pop Records

I would love to have witnessed the birth of Iron & Wine. Could it have been the moment when Sam Beam, as a teenager learning guitar, first listened to Guinevere off Crosby Stills and Nash’s self-titled debut record? I like to imagine it that way, the education of Mr. Beam’s delicate voice, flowing and illiterating while rhythmic acoustic melodies were built into a chant-like invocation. I’ve been inspired by this record in ways that I am not sure I’ve been inspired in the better part of a decade. While it might be said that The Shepard’s Dog has much in common with Crosby Stills and Nash, make no mistake, Iron & Wine has succeeded in crafting a release of equal measure. It is not passé or derivative. It reminds us of Déjà Vu but manifests itself as a unique and provocative work. It has the mystical and folkish cohesiveness of Led Zeppelin III and the fundamental lyrical beauty of anything W. B. Yeats.

Iron & Wine has produced a record that is both ambitious and progressive. Beam has resisted the temptation to dish out more of the same, yet he has sought to maintain and further define his signature style. The Shepherd’s Dog does not retreat from the ground covered thus far, rather it presses further beyond expectation, illuminating prior work while escaping the bonds of monotony. It elevates Sam Beam, underscoring his place as one of the most sentient and talented singer/song writers of our generation. Iron & Wine avoids contrived floral fakery when constructing his poetics by keeping the lyrics rustic, earthen, and elemental. Without question, The Shepherd’s Dog is an alluring and rare beauty.

American-gothic themes lace throughout the record. Influenced by his South Carolina roots and Austin Texas home, Iron & Wine has created what in literary circles might be termed Southern Magical Realism. The Shepherd’s Dog is something slightly dark yet derived from the hearth and home. Like Van Morrison’s Moondance, there are moments of occultish mysticism and pagan imagery. Mr. Beam develops narratives incorporating kings, queens, witches, and magic and then embeds them within a modern and familiar context. Even with all of its fantastical parts, or perhaps because of them, The Shepherd’s Dog has all the strength and splendor needed to make a genuine classic. It is autumn embodied. It is hard cider and country bales stacked at the pumpkin patch. It is Iron & Wine‘s greatest feat, and one of, if not the best album of the year.

9/9

http://www.ironandwine.com
http://www.myspace.com/ironandwine

Other Music
The Creek Drank the Cradle- 2002
Iron & Wine Tour EP- 2002
The Sea & The Rhythm EP- 2003
Our Endless Numbered Days- 2004
Woman King EP- 2005
In the Reins (Calexico)- 2005

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