Matt Mays & El Torpedo
Terminal Romance
September 30th 2008
Sonic Records
What is going on in Nova Scotia? To borrow a phrase from a dear friend, “What the fuck’s in that water?” Perhaps we as children of the 70’s and 80’s have some strange Freudian obsession that lingers late into adulthood. We want to destroy our proverbial fathers and godfathers, not to dispose of everything that they stand for, but to take their place in the hard fought legacy of rock and roll. This is the difference between acts that sound in style like their forbearers and those that so completely embody those that have come before them that they simply aren’t recognizable as part of our time. When a band of this caliber is discovered your affinity for them is involuntary. Innovators like John Cougar and Rick Springfield drew on trend heavy subcultures to create the most perfect pop radio rock songs. Matt Mays & El Torpedo are so stylistically imbued with this same project that it is difficult to claim mere mimicry. The band recorded in England with Chris Tsangarides, a producer who has had experience channeling pop rock in its greatest days. Having produced for Thin Lizzy, Tsangarides is sure to have been shuttled back by their performance.
Terminal Romance is kids living in the city, looking at the lights, riding downtown with nothing but adventure in their hearts and perhaps a touch of coke in their nose. It is big guitars and youthful melodies that together sing celebratory anthems to the night. It is ¾ sleeves and cut off jeans. I mean com’on, this guy owns a fucking DeLorean! Or at least he drives one in the video for Tall Trees, easily one of the album’s best cuts. Digital Eyes and the record’s title track cement Matt May & El Torpedo as visionary time travelers—faster than 85mph and we are back to the future. This ain’t no costume party—this ain’t no remake.
Like any pop-rock anthem of any era, the lyrics, while invocative, aren’t exactly fine art. The words aren’t completely vacuous in that Sarah Palin sort of way, but it’s fair to say the songs rely more on their pop appeal and accessibility than deep rooted meaning. It is incredibly difficult to write a song about loving someone until the end of time without coming off as a complete tool bag. Terminal Romance figures out that it isn’t always the words that matter— it’s the alcohol content. Matt Mays & El Torpedo have put together an entirely entertaining record worth every moment that we are shuttled into our former selves. They give us the ability to see the modern city through a different lens, one that frames it as a playground for the rebel, for the lover, and for those unsatisfied by the quiet streets, dim lights, and slow nights of small towns.
-FF
http://www.mattmays.com
http://www.myspace.com/mattmayseltorpedo
Other Music
Matt Mays- 2002
Matt Mays & El Torpedo- 2005
When the Angels Make Contact- 2006
Tour
Oct. 1 Middle East Upstairs Cambridge, MA
Oct. 2 Jammin Java Vienna, VA
Oct. 3 Piano’s Bar New York, NY
Oct. 7 M Room Philadelphia, PA
Oct. 9 Club Cafe Pittsburgh, PA
Oct. 10 Beat Kitchen Chicago, IL
Oct. 11 First Avenue Minneapolis, MN
Oct. 15 Garrick Centre Winnipeg, MB
Oct. 16 Odeon Events Centre Saskatoon, SK
Oct. 17 Dog House Rocks Medicine Hat, AB
Oct. 18 Edmonton Events Centre Edmonton, AB
Oct. 21 B.J.’s Grande Prairie, AB
Oct. 22 Blue Grotto Kamloops, BC
Oct. 23 Queens Hotel Nanaimo, BC
Oct. 24 Sugar Nightclub Victoria, BC
Oct. 25 Commodore Ballroom Vancouver, BC
Oct. 28 Red Deer Memorial Centre Red Deer, AB
Oct. 29 Flames Central Calgary, AB
Oct. 30 Pump Roadhouse Regina, SK
Nov. 1 The Outpost Thunder Bay, ON
Nov. 4 Barrymore’s Music Hall Ottawa, ON
Nov. 5 Barrymore’s Music Hall Ottawa, ON
Nov. 6 Phoenix Concert Theatre Toronto, ON
Nov. 8 The Casbah Hamilton, ON
Nov. 11 Element Night Club Kitchener, ON
Nov. 12 The Ale House Kingston, ON
Nov. 13 Cowboy’s Ranch London, ON
Nov. 14 Les Saints Montreal, QC
Nov. 15 Chez Dagobert Quebec City, QC
Nov. 28 Cunard Centre Halifax, NS
Nov. 29 UNB SUB Fredericton, NB
