Archive for the ‘Los Angeles’ Category

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Whiskey Courage on a Starry Night

March 3, 2009

Whiskey Go Gos

Walking along Grand Ave in Williamsburg, I spotted a street lamp absolutely covered with advertisements. There, among a what looked like thousands of posts for everything from 4 Men and a Truck to Spanish speaking attorneys, was a paper-bag-brown flyer with a bare bottomed vixen dressed in nothing but boots sitting over the words The Whiskey Go Go’s.

whiskey-promo

It was an ad for a show at an unknown location with Canadian band Inward Eye on February 18th. I suppose the only reason that I noticed the flyer at all was that I happened to see the Whiskey Go Go’s last week at The Trash Bar. They topped a list of bands that began with the beautiful and extraordinarily talented Cabiria, as well as the remarkably out of place Astronaut Down. The Whiskey Go Go’s are from Melbourne, Australia where they were signed to a major record label before they were dropped to fend for themselves in the most tumultuous of industry climates. This brought them to tour New York City where they are generating interest in their yet to be released record Whiskey Rain. They have fought a number of hardships in their endeavor. The importation of Americana to America from an Australian band is at once suspect; I cannot approve of the term southern-rock to describe this band. Certainly some unknowing person might believe them to be natives of Louisiana, but that only speaks to the worldly prism through which their take on American music is made. For Australian listeners, the love of Bob Dylan and Neil Young, himself a Canadian, cannot be supplanted by the intonations of a couple of upstarts struggling to combat poverty, free agency, and a sound that some have alleged is not their own.

I have resisted the temptation to call out other reviews that parallel Matt Hutchinson’s voice with another band, one that has so utterly disintegrated and removed themselves from the realm of good taste that they are not worth mentioning. To make my own comparison, I would have to say that the Whiskey Go Go’s love David Bowie’s Hunky Dory. While to some, this comparison may be as every bit as insulting as the one I just denounced, let’s be clear, there is no plagiarism at work here folks. Simply said, “Give these guys a fucking record deal!”

While I’ll have plenty of time to review both their debut, Proud Tales to Them of Us, and Whiskey Rain, it would be best at this point to tell all of New York to go see their show. Tonight the Whiskey Go Go’s play again at The Trash Bar and tomorrow, Wednesday March 4th,  at Union Pool, also in Williamsburg. The band, particularly Mr. Hutchinson, have an extraordinarily unpolished performance style. His eyes are wide and terrifying, exerting every ounce of his presence toward the audience. The show is full of charming imperfections that belie the uniqueness of this act. I have much more to write in the coming days, meanwhile may I suggest attending their show either today or tomorrow…

8/9

-FF

Whiskey Go Go’s- Whiskey Rain Review


http://www.myspace.com/whiskeygogos


http://www.whiskeygogos.com/

Shows
March 3rd- The Trash Bar, Brooklyn
March 4th- Union Pool, Brooklyn
March 15th- The Echo, LA
March 26th- The Bell House- Brooklyn

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Bodies of Water- A Certain Feeling

August 18, 2008

Bodies of Water
A Certain Feeling
July 22, 2008
Secretly Canadian

See Peasant Review

The night began with Peasant captivating a fairly populated crowd at New York City’s Mercury Lounge. As Frederick Foxtrott has mentioned numerous times, Damien DeRose has an incredible ability to command attention without begging for it. He is not desperate, even as he discusses even the most vulnerable of topics. The audience talks amongst themselves, waiting through their typical opening band annoyance, when something happens across the crowd; the conversations become muted; peoples’ eyes no longer look for an answer on the floor, or from their friend’s quips and shrugs. Applause reforms from obligatory to laudatory. Peasant plays and people listen. While the contrast with the night’s headlining act was sharp, I wanted to give the band I actually came to see a little credit for inadvertently tipping me off to Bodies of Water, whose recently released record A Certain Feeling is entirely worth listening to.

While Bodies of Water seem to focus on vocalist Meredith Metcalf in their live performance, A Certain Feeling has a much more choral arrangement. At Mercury, Metcalf was the center piece, and a mighty fine one at that. Her voice is strong and refined. She has an indie operatic melody maker that emanates impassioned words well beyond her thin frame. On the record, the band has a much more pronounced presence, supporting Metcalf, whose voice is embedded in the slightly vintage, entirely eccentric instrumental textures. Bodies of Water, from LA, are highly talented. At times they give me the impression that an ever so small, yet appropriate amount of the musical Pippen lays at the foundation of their music- an amalgamation of nascent-prog rock, psychedelia, and musical theater.

The awkward melodies generated by the prowling organ and commanding guitar are deliberate and precise. They accomplish what the Fiery Furnaces are rarely able to. Minute doses of discombobulating riffs blend with an epic sense of song craft. The vast space that the band seeks to fill with its projected strength is impressive. What is even more so, is their ability to never leave the listener hanging, left and abandoned as one movement yields to the next. While Bodies of Water have an air of something enigmatic, they make sense. While this could be a detrimental observation to some bands hoping to produce music that is new and different, Bodies of Water excel at knowing what is worth obscuring.

-FF

7/9


http://www.bodiesofwater.net


http://www.myspace.com/bodiesofwater

Other Music
Bodies of Water EP- 2005
Ears Will Pop and Eyes Will Blink- 2007

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Silversun Pickups- Carnavas

September 21, 2007

silversun-pickups.jpg

Silversun Pickups
Carnavas
July 26th 2006
Dangerbird Records

This Silver Lake district LA band has the rare luxury of thriving betwixt and between. They have originality, yet they remind me of some great bands. I’ve read many reviews and can’t imagine why most hear a similarity between Silversun and Smashing Pumpkins. No disrespect toward Billy intended, but I just don’t hear it. Perhaps they share a feedback note here or there, but only a note. They have much more in common with fellow up-and-comers Airiel out of Chicago. Mr. Aubert’s vocals seem much more akin to Jeremy Enigk and Elliot vocalist Chris Higdon. They produce such familiar music, leading me to point out their sound-a-likes, yet I won’t attempt to pigeon hole them into any category or faddish type. My Bloody Valentine is clearly an ancestor to Silversun Pickups‘ noise, while Sunny Day Real Estate shares their pop impulses and guitar supplications.

It is not an album that I obsess over or repeat every moment of my free time, but I must say this band has a gut, such a visceral vocal force that it deserves a salute of some sort. Lazy Eye and Melatonin lay it out for us. I’ll put this record on my play list for many gatherings. It whets my nostalgia for dark exploration coupled with beautiful and melodic rhythms. I don’t know if I’d rave to a friend about this record, but I’d make sure they knew I had listened to it once or twice.

If you have an interest in an up beat Sunny Day, without any real comparison, or an infatuation with Elliot’s Song in the Air, than I’d expect you’d enjoy this display. It takes a lot of creativity to achieve this level of layered intensity and noise conglomeration, but to imbue it with the pop sensibilities of Silversun Pickups requires a sober understanding of the musical soundscape from which a clean execution can be drawn. More than that, it takes the confidence that your wall of noise is worth listening to. This one most certainly is.

6/9


http://www.silversunpickups.com


http://www.myspace.com/silversunpickups

Related Sounds
My Bloody Valentine
Sunny Day Real Estate
Airiel
Elliot
(All as if 1991 wanted its day in court)


Other Records

Pikul EP 2005

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