Archive for the ‘London’ Category

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National Snack- Apply Machine

December 12, 2008

National Snack

National Snack
Apply Machine EP
December 8th 2008
Scatty Cat Records

National Snack- Working for the Devil


There is something offensive about a lofi band with fuck-you aesthetics. London based National Snack exudes this ethos unapologetically. Their music is a messy discharge of rock and roll not meant for paradigm friendly genre definitions. Listen people, they are called National Snack—you think they care what you think of them? I am barely able to write a review that doesn’t simply mention that they exist. Not because they aren’t distinct or impressive, but because their music is made entirely on their terms; listen and think of them what you like. National Snack have no problem making sexually solicitous songs. Their guitar is fuzzed over and basic. Loud gristle is the only concern for these mungrel music makers. The band is fronted by singers Gemma Storr and Joe Carlo, both of whom guiltlessly execute their tracks. They aren’t here to induce awe or weigh the heavier philosophical quandaries of life; they want to be loud, energetic, and foul mouthed. Although, “We are the disillusion, too well fed for a revolution” from Self Conscious is a pretty damn good line.

Apply Machine is a mixed bag. The opening track Mischief is all funk-punk energy, but something about it sinks below board. I love all the talk about mouths, but there are times when Joe and Gemma vocals are poorly intertwined. Disjointed, it certainly does not prepare the listener for what is to come. The  four tracks that follow Mischief are what  make Apply Machine succeed. Had Working for the Devil been a single with three bonus tracks—Self Conscious, My Head Hurts, and This is Not Enough—the release would have been perfect.

From the moment My Head Hurts begins, it is entirely apparent that this band’s idea of a national snack is piss and vinegar. Their angst against life is tempered by self assertive declarations.

“Cause every fucking day, it’s all the fucking same.”
-This is Not Enough

Gemma’s center pieces—Working for the Devil and This is Not Enough—are the glitter of Apply Machine. These tracks are excellent, showcasing National Snack’s best qualities. The EP retires with Rock n Roll, a track full of punchy guitars and clever melodies. Again though, Joe and Gemma’s vocals do not seem to work the way they were intended. Perhaps what alliviates this concern is that while there are thousands of bands that will spit in your face as much as look at you, few show the potential of Gemma and her boys. They are funding the release of their full length by selling space on the back of their record for £10. If it tells you how many of contributions the band needs, and indeed are receiving, to finish their record- you get a magnifying glass with your contribution so that you can amuse yourself at parties by telling other people that you helped develop this British trio’s album art.

-FF

5/9

http://www.nationalsnack.co.uk
http://www.myspace.com/nationalsnack

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My Bloody Valentine- On Becoming a Decibel

September 25, 2008

My Bloody Valentine
September 23rd 2008
Roseland Ballroom

There is a reason why people listen to My Bloody Valentine religiously, and we all heard it yesterday. Last night’s show was the last of their reunion trilogy in New York, which in their grander USA tour continues westward to end in Los Angeles on October 2nd. No one thought these shows would ever happen again since the band’s break up in 1991, which makes yesterday’s experience (and future shows) all the more surreal. Phenomenal would be an understatement to describe last night, though I don’t know if one word could describe what I felt as I watched in awe. It was a show that tested the human body and mind in the face of life-altering decibel levels. Boxes of earplugs were scattered around the venue as if one pair alone would not suffice. Some brave souls tempted to endure the show without these little saviors. Wikipedia’s entry for the band picks up on this observation of the sound magnitude of MBV’s past reunion shows in the UK:

“One visitor comments he saw a 130 dB volume on the mixing desk, another visitor comments he saw 132 dB at one moment, both louder than the Loudest Band in the World record before the Guinness Book of World Records discontinued the category.”

That makes me feel awesome.

The music was truly hypnotizing (I saw so many faces of honest devotion with eyes shut) and possessed the audience into some involuntary bodily movements that were aesthetically fascinating. But the hypnotic quality shouldn’t be a surprise to anyone who listens to MBV. Neither should the fact that it was nearly impossible to discern any of the vocals. What impressed me the most was the sheer power from the drummer and bassist. The sound they produced together was the backbone of last night’s beastly performance. They even had a mirror installed next to the drum set for easy communication. All in all, I was more than satisfied with the show. I nearly cried when they played Cigarette In Your Bed.

Though there was also an opening band called The Lily’s, they were just that—a band you mention before you forget.

Some people brought up that the nostalgia effect as a factor that made this show more amazing than it really was. But for the younger generation like me, last night was not nostalgia, it was now. And hands down, it was my best show yet.

8/9 (9/9 for MBV)

-Cindiot

http://www.mybloodyvalentine.co.uk
http://www.myspace.com/mybloodyvalentine

Tour
Sep 25 2008 Kool Haus, Toronto Ontario
Sep 27 2008 Aragon Ballroom, Chicago Illinois
Sep 30 2008 The Concourse Exhibition Center, San Francisco California
Oct 1 2008 Santa Monica Civic, Santa Monica California
Oct 2 2008 Santa Monica Civic, Santa Monica California

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