Archive for the ‘Jagjaguwar’ Category

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Okkervil River- The Stand Ins

October 6, 2008

Okkervil River
The Stand Ins
September 9th 2008
Jagjaguwar

Okkervil River, along with other musicians gracing our planet, are “Cro-Magnons on drugs with guitars”—so says Will Sheff, frontman behind the band. He also says that hybrid vehicles are yuppie porn, while much of the rest of the developed world simply considers them responsible. Given that I am a rational and emotional decision-maker, why would I choose such a troupe of barely-evolved and underdeveloped rapscallions to tickle my senses? The answer to this question is clear: I had purchased the disk before reading Under the Radar’s interview with Sheff. Since I bothered to buy the thing, I figured I owed it a listen. I enjoyed Black Sheep Boy enough, but the net effect was that I went into The Stand Ins with a pretty negative attitude.

Upon listening to the first real song on the album, Lost Coastlines, I thought my initial instinct was right, driving me deeper and almost irreparably wedged into that negative attitude. For example, one of many catchy lyrics is “Every night finds us rockin’ and rollin’ on waves wild and wide, well we have lost our way, nobody’s gonna say it out out loud” followed by la’s ad nauseum and some sappy horns. That said, this song may be the highlight of the Stand Ins.

The next song, Singer Songwriter, has a nice twangy guitar accompanied by Sheff’s scratchy singing, approaching a drawl at times. Unfortunately, the lyrics are very distracting. The sole purpose seems to be to make a mockery of a musician who has got it all: good fans, good music, a good family. But somehow this is still a bad person who deserves to be made fun of—you get the feeling that Sheff is trying to teach him a lesson. Not only is the subject of the song mocked, but the band also goes on to poke fun at fans wearing brand-name clothing. Sure, that’s funny. But folks, watch out—show up at an Okkervil River show wearing Chanel, and you may find yourself on the receiving end of their wrath, or maybe just the subject of their next album.

Starry Stairs is another song about a musician Pornstar who has seemingly got it made. Unfortunately for this musician, (s)he is unhappy and feels the need to apologize to his/her audience “if you don’t love me, I’m sorry.” I, for one, am happy to accept the apology, though I have a feeling it was facetious, at best (This song does boast a great lyric, “I’m alive, but a different kind of alive” which reminds me of my favorite line from Kafka’s Metamorphosis). Something had happened here: I enjoyed the pop sentiment created on The Stage Names, as it was often accompanied by errant and sometimes twangy instrumentation, cheesy oooohs, and a great Sheff yell here and there. Somehow this effect was not achieved on the Stand Ins.

In general, this album is well-made with music of an out-of-time and out-of-place style, and lyrics that make you want to commit suicide—and to no fault of your own. Find yourself singing along to the 50’s prom style song Pop Lie (the only things missing are a Pompadour hair style and the movie That Thing You Do), and you’ll get chided for being a fake and a liar. This is where you realize that the entire album is trying to teach not only the caricatures in the songs, but also you and the whole world a lesson. This theme goes hand-in-hand with the saccharine qualities of the music- sweet, but devoid of calories. The album appears to be a treatise on nothing. Maybe not nothing—on things that “bother” Sheff like designer brand clothing and successful musicians. I don’t suppose we’ll be seeing sweatshop labor topping his list any time soon.

-Hills

4/9

The Stage Names-2007 Review

http://www.okkervilriver.com/
http://www.myspace.com/okkervilriver

Other Music
Don’t Fall in Love with Everyone You See- 2002
Down the River of Golden Dreams- 2003
Black Sheep Boy- 2005
The Stage Names – 2007

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Black Mountain- In the Future

April 1, 2008

Black Mountain- In the Future

Black Mountain
In the Future
January 22nd 2008
Jagjaguwar

“The witch is on your trail, my lord
Stormy stormy high
You’ve been dying to be set free
Oh curse those honeyed hands”

I suppose it is important that you know what you are getting into when you unsheathe the sword that is Black Mountain. These Canadians will take you on a magical walk to the wild side whence witches, sprawling blood, and mystic towers doth hale. You can’t really call it prog rock because it is certainly not forward looking. They are steeped in nostalgia, and fully embrace the gravity exerted by their unapologetic tip-of-the-hat to early 70’s rock ‘n roll. That having been said, Black Mountain has put together a great fucking record.

In the Future is heavy. It is iron clad psychedelic rock that has no qualms concerning the use of fantasy to parallel our politically tumultuous reality. In a context such as ours, songs about witches and tyrants do not amount to mere verbiage. Black Mountain speaks of demons but avoids the silliness some find at D&D conventions. They are an entertaining, creative, and highly electrifying band.

-FF

6/9

http://www.blackmountainarmy.com
http://www.myspace.com/blackmountain

Other Music

Druganaut EP- 2005
Black Mountain- 2005
Stormy High EP- 2006

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Okkervil River- The Stage Names

September 1, 2007

The Stage Names

Okkervil River
The Stage Names
August 7th, 2007
Jagjaguwar

This blog begins with Neutral Milk Hotel. A great friend of mine named Jim and I used to throw band names around while sitting in his south-side Chicago apartment. Drinking gimlets, we would discuss The Cure while listening to the Rapture. One of our favorite bands to which we’d drink and declare our unfailing fondness was Neutral Milk Hotel. In The Aeroplane Over The Sea is an intrepid and devastatingly beautiful record. But alas it is not the album I am reviewing. But it was a few years ago, while speaking of this album that Jim told me to checkout this band Okkervil River. Instantly I was reminded of such names as Nickle Creek, Rascal Flats, etc. Jim is originally from Ohio, but he is a pretty smart and a very hip person. I knew he was not trying to turn me on to a country band.

Jim explained that I’d love Okkervil River even more than Neutral Milk; that they were similar in many ways. Of course I decided to give a listen. My conclusion was swiftly drawn, “What was he talking about? This band was nothing compared to Neutral Milk Hotel.” Even media sources like Pitchfork had suggested a likeness and superiority to Jeff Magnum’s final work. The comparison was so off in my mind that I unfortunately dropped Okkervil River right then and there. It would be six months before For Real would randomly surface on my media player, making me a believer in both the band and the album Black Sheep Boy.

I had no recollection of exactly who Okkervil were when I heard the song. In fact, when I checked my screen and saw the bands identity I was very surprised. Was I so concerned with what Okkervil River was not, that I overlooked what they were? Perhaps, but with a little time and distance I was converted in a big way. Even though there are in fact tones of country music weaved throughout the synthesizers and horns, Black Sheep Boy is phenomenal, with lyrics that are heavy and compelling; although not quite as startlingly poignant as In The Areoplane Over The Sea. This mix, along with the soulfully erratic and epic vocals of Will Sheff, provokes the listener to search for meaning in artful lyrics. It is emotional pop with tubas and tambourines. The Austin Texas based band’s newest effort The Stage Names continues this tradition.

The palm muted intro to Our Life is Not a Movie or Maybe, before the snare snaps and the piano pounds, revisits the perfect anxiety created at the beginning of For Real from the previous disc. The vocals are very reminiscent of David Bowie hollering, “Hoo-hoo!” The lyrics do not disappoint either. “It’s just a house burning, but it’s not haunted. It was your heart hurting, but not for too long kid.” Unless It’s Kicks has a similar effect on my impulse to perform random acts of dancing. In fact this is a very key aspect to the album. It is consistent, with breaks and starts. The tempo is generally up and swinging until the second half of the record.

In comparison with Black Sheep Boy, the music seems more natural and a little less synthesized. Like Get Big off their previous record, Savannah Smiles and A Girl in Port really incorporate country aspects into the song style. While it is not done as effectively as Connor Oberst’s I’m Wide Awake, It’s Morning, the country-folk elements of The Stage Names make Okkervil River very easy to approach. A Girl In Port could have been a Grateful Dead tune. I have listened to this record over and over again and I have yet to feel compelled to skip a track.

That having been said, The Stage Names does not have as much guts as Black Sheep Boy. The lyrics are complex and analyzable, but they are not delivered with as much punch. The Stage Names is only more introspective than Black Sheep if you define introspection as a quiet self reflection. Okkervil River is more biographical and utilizes more narrative for this record; it is more linear. It seems as though Black Sheep Boy has more reoccurring themes from song to song, and The Stage Names tells little stories about certain times and certain places and people. Black Sheep Boy is comparatively rawer. I think the refined nature of Okkervil’s new contribution to my record collection mutes my awe. The energy is there at the beginning of the record. But it then leads the listener on a journey inwards and with less tenacity. Black Sheep Boy similarly settles down after its monster track Black, but it does so while gripping my wrist.

Perhaps, after all, what I miss in The Stage Names is the very trait I lovingly embrace in Neutral Milk Hotel, an uncontrived emotional voice. Only in Our Life… can I really hear his spit. However, I don’t want to overstate any disappointment. Okkervil River’s new effort is superb. I’ll listen to it many more times. I would not be surprised if six months from now a random song plays and inspires me to return to this opinion.

6/9

http://www.okkervilriver.com
www.myspace.com/okkervilriver

Other Records
Stars Too Small to Use 1999
Don’t Fall in Love with Everyone You See 2002
Down the River of Golden Dreams 2003
Black Sheep Boy 2005

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